Relic point Vietnam
Việt Nam
Hoa Giang Van Minh - Porcelain Porcelain on the Foreign Affairs Front
Hoa Giang Van Minh - Porcelain Porcelain on the Foreign Affairs Front The ancient village of Duong Lam is known as the "masterpiece of spirituality", which produces national heroes, celebrities, faculties, and talent. They are people who have made excellent contributions to the cause of national construction and defense of the nation. Hoa Giang Van Minh - the talented envoy is one of those elite children of the homeland of Duong Lam. Giang Van Minh was born in 1573 in Mong Phu hamlet. He passed the Detective Flower of Mau Thin, the reign of King Le Than Tong in 1628. This examination was no one passed the title of Poinsettia or the Table of the Label only had the title of Flower Detective. He is a broad, highly talented learner, is a diplomatic diplomat, and brave. After a period of being sent to the court in Nghe An until 1637. King Le sent a Chinese -Van Hoa Detective to the delegation to go to Chinese porcelain. Over a hard journey, the delegation reached Beijing. He and his accompanying people had to stay in translation for a long time. Thanks to the smart strategy, he was able to enter King Minh. When the audience, King Minh intended to try the talent of the Vietnamese god, so he raised a side: "Copper Chi Kim Dai Kim Luc" (Translation: The copper column has now covered the moss). The side of King Minh was arrogant, referring to the old Ma Vien to invade our country, after suppressing the Hai Ba Trung uprising, he built a bronze column to engrave the word "bronze with extraction, Giao Chi to kill" (meaning: bronze columns, the people Giao Thich only destroyed) as a curse of our people. After listening, Detective Hoa Giang Van Minh was very angry but he still calmly confronted: "Dang Giang self -necked by pink" (Translation: Bach Dang River from ancient times is still red). In the opposite of the steel, showing the heroic spirit and national pride, reminding King Minh to recall three times the Bach Dang River tinged with the blood of the Northern invaders: the victory of the South Han army of Ngo Quyen (938), the victory of the Song army of Le Dai Hanh (in 981) and the victory of the Nguyen Mong army of Tran Hung Dao (in 1288). Thought to humiliate the Ambassador of Vietnam, suspected that Giang Van Minh was humiliated. Despite the rules of the state, King Minh cowardly sent his troops to operate his stomach to see "how big the male An Nam was." After killing him, King Minh praised him as the secretor, so he sent merciful mercury, put the ginseng and put it in the coffin to closed to the Southern Water Mission to transfer his body to the country. Believing that Kham Jiang Yuan died heroically, King Le and Lord Trinh extremely mourn. The king personally went back to his hometown in Mong Phu village (Duong Lam) to attend the funeral and gave him some words: the ambassador of the army, the hero of the ancient hero means "going to the mission without humiliating the king's destiny, worthy of being the hero of the ancient Thien" and pursuing him as "the work of the Lang Thi Lang, the title of Vinh district". Currently, the tomb of Kham Giang Van Minh is still carefully cared for by the clan in the country of Go Dong - Mong Phu village, built a pedestal of the throne, surrounded by protective flower walls. As for the throne, the place of burial ceremony of him, called by the local people as Quan Giang to memorize the legend of the angel of the deity has made a glorious for the country. In 1845, the people in the area of Hoa Giang Van Minh Detective Church to commemorate his merits. The church area has an area of about 400 m2, which is architecturally in the style of the buds including the road and the back of the road. The buildings are built with bricks and roofs; The wooden roof is smooth, sharp, no sophisticated engraving station. The gate of the church style of beer, built of bricks, on the floating Chinese characters "Giang Tham Hoa Cong Tu" (Cong Lang Dynasty Church of Ta Thi Lang Tham Hoa Giang Van Minh). Hau Duong is the main place of worship, 3 spaces have a altar with beautifully painted altars. In the church also preserved a number of precious relics such as: 4 diaphragm paintings, 20 pairs of Chinese verses (10 pairs written on the golden lacquered wood, 10 pairs written on the wall column), 3 steles. Hoa Giang Van Minh Detective Church was ranked in 1991 national cultural and historical relics, which is a sacred place to record the situation of Tham Hoa and also a place of patriotic traditional education for the younger generation. At this church, in addition to being a place to honor the gratitude of Tham Hoa's merit is also the place to worship and honor many of the late Jiang family through the period when he passed the board of chief appointed as the mandarins and hold important positions with great merits for feudal dynasties. The last time the church has been remodeled with the State's capital, the construction was completed under the technical assistance of experts and volunteers of the Japan International Cooperation Agency in Vietnam (JICA), this renovation project was also honored to receive awards for wood construction techniques of UNESCO Asia -Pacific Committee in 2013. The ceremony of commemorating the death of the angel, in addition to the solemn and respectful rituals of his noble sacrifice, the family also held a study promotion ceremony to honor and encourage the descendants of Giang to Dat and win high prizes in all levels of education. Located in the center of Mong Phu ancient village close to the communal house and the People's Committee of the commune, the Giang church is currently an attraction that attracts a large number of domestic and foreign tourists.
Hanoi 917 view
Conservation of "milk well" in Duong Lam
Conservation of "milk well" in Duong Lam In the cultural space of the ancient village in Duong Lam, the village well is an indispensable part of the cultural and cultural heritage, creating a very unique feature in the lives of people here. "Milk well" in Cam Lam village, Duong Lam commune, is well known because this is a sacred well, which has brought miracles for women who are raising children with milk or loss of milk. "Milk well" is a folk call, and people here still call the bell well. Legend has it that, in a chaotic time, when this place was still a pristine mountain without a human being, a newly born baby was abandoned to cry and cried strictly at the foot of the hill. A old woman passed by witnessed but did not know how to hold the baby. She only knew how to carry the baby in her arms along the way in the hope of finding a house to ask for water. Going forever and not seeing the shadow of people, going to a valley at the foot of Cam hill, she saw a murmuring water flow from the cave of the stone so that the water would let the baby drink. The baby suddenly stopped crying and fell asleep in her hand. Since then, she has set up a tent here to raise the child. When lost, people in the area set up a temple to worship her and called the "mother temple" on the sacred water called the "milk well". The circuit then becomes sacred and is well known. When in the dry season, all the village wells were dried up in the bottom, the water circuit was still full and clear. Together they burden the water to eat, the more water takes the more water. The bell well is located at the foot of Cam Mountain. It is said that this is the land of King Ngo Quyen, so no one dares to build a house on the king's land, so this place still intact the ancient and dense. Milk well is located next to the trail at the foot of the blocked hill and Cam mountain in Cam Lam village. In order to reach the "milk well", it must go through Phung Hung and Ngo Quyen temples. A few hundred meters from Ngo Quyen mausoleum in the south, deep into the red dirt road will see "milk well". In fact, this "sacred well" is no different from the ancient wells in other rural areas. It is a small well and shallow well, the well is quite narrow with a wide diameter of about 70 - 80cm, deeper than 1m, the well is embankment with laterite. In particular, the water in the "milk well" has a special cool sweetness. The water is clear throughout the four seasons and can see through the bottom with a faded old laterite. Today, the "milk well" of Cam Lam village is well known because the well water is likely to cure milk loss for newborn women. The person who came to ask for milk just need to sincerely read the name, the address of the parents and the baby lacked milk accompanied by a fruit incense card and a few change. The father left 7 dong, the mother left 9 change at the temple and went to the well to scoop the water into the bottle. The ceremony after the worship is not brought back. The seniors in the village shared: People comply with this convention with the thought that Loc enjoyed after the ceremony must be "dispersed" for the children around the area. In this way, their prayers will be Linh Ung. The water asking for the "milk well" brought back to pour once into the cup for the woman to drink all not to be removed. The rest brought to cooking porridge or boiled for women to use. One or two days later, breast milk will return. The story of the bell well that helps women with milk makes many people visit Duong Lam are curious and want to take place to admire this monument. Perhaps because of this, anyone standing in front of the old well in Cam Lam has a different feeling from other wells in the ancient village of Duong Lam. In the gloomy, calm setting, each person is self -aware that he needs to speak gently in the well. In the relics complex in the land of two kings, the bell bell seemed as a treasure of the village. The cool drops of this "milk well" have brought peace in the souls of young mothers, helping them to balance their lives and in some way, have achieved their wishes. For the people of Duong Lam, the village well is an indispensable part of the cultural and cultural heritage of the ancient village, creating a very unique feature in the lives of people here. It is thought that preserving and preserving the image of ancient wells will increase the heritage value of the ancient Vietnamese village. This requires the determination and the efforts of the people and the local authorities to let the ancient well - the unique feature of the Doai culture will exist forever with time.
Hanoi 910 view
Dinh Doai Giap
Doai Giap communal house - valuable cultural heritage in the ancient village in Duong Lam According to traditional folk as well as some sources of history, the Giap communal house was built from the tenth century King Ngo Quyen, when the monument was just a small temple built by the people in the village to commemorate the merit of the father of the great king Phung Hung and to respect him as the village tutelary god of the whole village. In addition to the name of Doai Giap Dinh, Dinh also has another name "Doai Giap" - Han Nom character (Doai Giap temple). The communal house is located on a beautiful, airy land in the center of the village, in front of the communal house is a wide lake in the quadrilateral, facing the southwest, the ancients are very clever when choosing the landscape space, feng shui with the spiritual spirit and wishes of the villagers behind the communal house is a large garden for people to grow fruit trees, the two left and right heads of the communal house are 2 wells that are peached and built by the country of the country. The village uses daily activities and year -round never runs out, the ancient villagers are still used to calling this "dragon eye well", the dragon head facing the east of the "village", the tail of the dragon head towards the North (inter -village road), surrounded by some old houses dating back for centuries with mossy tile roofs of taciturn. Despite the long period of time under the significant impact of factors such as war, climate, and abuse of termites, in the structural architectural items of the communal house, the carvings and ancient sculptures bearing the impression of the ancient Vietnamese communal houses. The communal house includes construction items such as "money", "harem" arranged in parallel in the shape of the "second" shape separated by a wide yard of 7.2m long, paved with Bat Trang bricks, the two items above are nearly equal heights, but the harem is wider than the premature house, the harem consists of 3 spaces, the set because the structure of "gong -price barn". Tuong Doc Price outside built a tutoring shaft, military column systems, columns, exam doors, harem doors are made of solid wood (quadrilateral), the roof is a square shaft column of the lantern head and "pair" stylized, the "nghe" mascot has round eyes, convex, lion nose, wide mouth wide -eyed looking down, large rear legs are large twisted strokes. According to the concept of the ancient Vietnamese, Nghe manifests the power of nature, the banks of the strip, the shore of the floating "bat dance" and the topic "Phuc - Loc - Tho" have many deep spiritual meanings, short slope roofs are roofed with comedy tiles like on the ancient moss, curved roofs are curved into the beam with a length of 9.6 m, 8 m high in the yard, 8 m high in the yard, 8 m high in the yard is higher in the yard. In addition to the pairs of the throne, there are 4 square pillars that create a steady, on the square cylindrical surfaces there are couplets in Chinese characters, painted golden cards increasing the ancient looks and the value of the monument, the altar system in the communal house is very large, proportional, and solemnly solemnly. On the left of the communal house is the altar: "The land of the earth" (the earth god), this place is decorated with a number of precious altars crafted by materials such as copper, wood, ceramic, fabric, paper, prominent is the meticulously meticulously cast incense burner set of "Couple of the Global Fruit Lion" showing the dreams and creative talents of the ancient artisans, the elder of this artifact, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body, the two sides of the body. "Turtle of the crane", the lotus crane mine evokes the elegant beauty at the holy door, the other worshiping items here are also very diverse, unique, notably the incense bowl made of soil ceramic in the middle of the altar, between the forehead of the incense bowl embossed with the mascot "dragon long moon" (2 dragon mascots in the middle of the incense bowl with the words "Tho" in the middle of the seniority, in the middle of the seniority, in the middle of the seniority, there is a permanent life in the middle of the seniority. The most prominent between the harem is the worship of the great king Phung Hung. The large type of examination was meticulously carved with many precious and sacred mascots, in the examination, there was a taste, on the top of the examination of an ancient Chinese character painting the golden business card as "the Holy Palace of Van Tue" affirmed that the person who lived forever in the heart of every citizen in the village. This examination was crafted around the beginning of the eighteenth century, the worshiping items in the examination were also very rich, with different materials dating back to the last year of the Nguyen Dynasty. The priest has been repaired several times, the most serious damage is in the resistance war against the French. In the communal house, there is also a bell of the 4 -letter bell of the 4 Chinese characters "Doai Giap from the common" (the bell of the family) cast the 13th year of the Tu Duc year - 1861. (XVIII century), palanquin ... These are invaluable sources for future generations to study and prove their merits to the people and the country. The rare thing that the relics is not the roof of the harem is the shelter of hundreds of bats (also a valuable animal). Bats associated with Ngu Phuc is "Phu - Quy - Tho - Khang - Ninh". With typical historical cultural values, Doai Giap communal house was ranked by the State in 2001, the family festival took place in 2 days 7 and 8/1 lunar calendar. The cultural house of the village is close to the communal house, so it is very convenient for organizing contents such as festivals, community talks, propaganda, attracting people and tourists to attend (because the communal house is located at a convenient road position; the festival of the communal house always attracts a large number of people inside and outside the locality to attend, is the festival, is the pride of each child in the village. Relics, often serving the needs of the people in the village and tourists. Currently, the monument has been invested by the State to embellish and renovate items as well as: campus, space, landscape outside, meeting the needs of visiting and learning of people and tourists.
Hanoi 862 view
Dinh Cam Thinh
Dinh Cam Thinh The communal house is located in the southeast direction in the area of Cam Thinh village (one of the five hamlets of Hop Thanh village relics in Duong Lam, Son Tay town, Hanoi). The family worshiped the Emperor of the Great Ky Ky Vuong and Duc Gia Hau Lieutenant General Cao Phuc and his wife, Mrs. Giang Thi Thang - the sister of the talented talented envoy Giang Van Minh. The communal house was built in the reign of King Le Than Tong (1649 - 1662) with the great merit of the General Phu Viet Hau's husband and wife (from Cam Thinh village, who had helped the country to return to the country and diplomacy under King Le Trung Hung). Up to now, the communal house has been renovated 3 times, last time in the year of the Dragon (1916). There are also a number of small repair times made by the people in the village voluntarily. Cam Thinh communal house has many characteristics of artistic architecture in the Nguyen Dynasty. The architectural structure of the communal house consists of 3 parts: Nghi Mon, Ta Mac, Dai Dinh. The outermost is a datingal dating back to the twentieth century. These are the spiritual axes, the two larger middle pillars on the top are "four phoenix" and the smaller two pillars on the top are the unicorns in the position to sit down. Stepping through Nghi Mon is a large yard, on the left side is the 4 -storey house of 4 spaces "Wall of the Wall". Dai Dinh Cam Thinh is made according to the structure of the nail, with the great court of 3 compartments 2 of the 2 -way, 4 -way footsteps, 4 sets. Connecting to the space of the great bai is a 3 -space grab with a system of lines running from the roof to the roof, because the outermost of the harem is closed and makes the door system separating the great bow with the palace, because the inside is made in the "husband" style with the sharp cell. The palace is covered with a face on a mezzanine floor 1.8 m high, in front of the palace is a set of wooden mosaic doors with wooden stretched wood. Outside the bowel door is a mezzanine floor decoration. The communal house was built in the second half of the seventeenth century, so the most old traces in the temple were left in some armpits of the ministries because of supporting two roofs and 3 dragon -shaped pliers in 2 armpits because of the main. These dragon heads have fallen, damaged, lost many blades, legs ... but also recognize the appearance and gestures such as nose, upside -down nose, perch, bulging eyes, bat ears ... Here ALF typical of sculpture in the late seventeenth century in the early seventeenth century. The armpits of the communal house are mainly plainly shining, only a number of barge heads and piles are stylized with flowers, in stems, branches, flowers, and decorative leaves are stylized into dragon leaves and unicorn images in a subtle way. These touches are typical of the nineteenth century sculpture. In the communal house, there are still a number of precious relics such as the 5 -year -oldest dating back to the 28th Canh Hung (1767), a stone stele erected in the 8th year of Vinh Thinh (1712), 132 cm high, 80 cm wide, 4 cm thick with 2 -sided engraved sides, a set of created palanquin in the eighteenth century. The pieces are stylized into a dragon shape, a 4m long, 2.1 m long horizontal blow, and a curved hood, a set of long poem worshiping the Great Ky King. This is a sculpture at the end of the eighteenth century. The festival of the communal house was organized by the villagers and the authorities on the 11th and 12th of the lunar month. Every son of the countryside and in places gathered to the communal house to commemorate the merit of the village tutelary god, the Holy Holy Hau and his teacher. In these days, traditional games, folklore activities such as: Citadel, lotus dance, money dance, procession of Holy palanquin, procession of gifts, blindfolded goats, wrestling, swinging, cockfighting ... Cam Thinh communal house was ranked as a cultural historical monument in 2000, located in the ancient land with many valuable cultural and traditional heritage of the provincial cultural village. The relics of Cam Thinh communal house and some old houses in the village have become a attract to attract a large number of domestic and foreign tourists. However, over a long time due to the impact of the people and visitors, the communal houses have been renovated, embellished and met by tourists and people by the State and people.
Hanoi 855 view
Pagoda (mild self)
Pagoda (mild self) The unique temple of the ancient village relics in Duong Lam The pagoda is located in the middle of the field, a few hundred meters from Mong Phu village gate. Looking at the overall of this monument is only a small house with ancient mossy nose tile roof, walls are built of thin, manual bricks. Other materials are also built with traditional materials of the semi -paint area. The name Nom of the pagoda is known to everyone as peaceful. There is also no source that confirms the specific timeline that the villagers call the temple name, and there are also many questions is why it is called a pagoda without any Buddha statue or any precious artifact to be worshiped. On the full moon day, the first day of the month also rarely saw people bringing offerings to worship and pilgrimage (except on March 3 and 1/4 of the lunar calendar every year). Although it has been through a few renovations, the most recent time is in 2010, with the supervision of experts from the Japanese international cooperation agency in Vietnam (JICA). During the renovation process, Japanese scientists and officials monitoring and supervising the agency have successfully implemented the tilted wall of the pagoda at a dangerous level to return to the current situation of safety. The items of the pagoda are overall. In the past few years, the villagers have also reinforced a number of other surrounding items such as: Intention, planting trees around, expanding the front yard of the temple. Whenever visiting this place, visitors often recounted an anecdote related to the temple that: The peaceful name is the name of a Chinese general (ancient Chinese), when the limit is as an official in Vietnam, he spends some time going to go to the road to Duong Lam land, seeing beautiful scenery. He then asked the villagers to stay in reclaiming and cultivating body cultivation. After many years of hardship, accumulated to eat bowls to eat a bowl to eat, he built a house to protect the village for the village. Because of being a martial arts general, with martial arts talent, on his spare days, he often invited the young man in the village to teach martial arts. In addition to the purpose of training health, it is also to prevent the enemy crushing and plundering the village. Before Lam Chung, he cast the bronze bell to engrave the 4 -word "peaceful pink". Legend has it that Mong Phu villagers still keep today. In addition, on the first two sentences of the temple, there are still Chinese characters, temporarily reading is "Starting the Tiger, Quy Xuan, Nham Ty Nhat, Mao Khac Tho, Binh Co, At Mao Nhat, Rooster Thoi, Thu Head negotiating sand. Ón. The pagoda festival takes place on March 3 of the lunar calendar every year, also coincides with the actual Korean New Year of the people in general in the Northern Delta villages. In addition to the offerings prepared by the villagers, including: sticky rice, castrated chicken, fruit, floral scent, the village boy must carry a 145kg bell from the Mong Mong family here to fight for 3 hours (but a total must be 99 hours). Those who are trusted by the villagers to beat the bells must be fulfilled, if not, there is a fault with the Holy Spirit. After the ceremony is completed, the Organizing Committee carried out the procedures to declare the wrestling. Called the "guild" but its exciting time only lasted a few hours, from 15:00 to the end of the evening. Typically, there are many people participating in wrestling, mainly village boys and surrounding areas. According to the old people, the years of the country were still in the war, they were absent from the handsome boys, only the elderly and young people. In peace, the wrestling was held vigorously and there were more thrilling glue, bringing emotions to many viewers, expressing intentions, health. The award has thus increased gradually. The source of reward and organization has also been supported by many organizations and individuals inside and outside the village volunteer through the competitors, tricking tips, ending the opponent ... On the 1st of the lunar calendar, in many other places, the villagers also held the ceremony to fall in the relics, in Mong Phu village, in parallel with the organization of worshiping in Mong Phu Dinh, there were gifts that the porridge was also brought here to offer the god. The porridge is scooped out the so -called Buo La Da, holding along the temple to the main road. In the past, every summer, the village area often had to suffer epidemics, pests, causing loss of crops, hot weather that easily gave birth, affecting human health. Therefore, also the ceremony on this day also expresses the meaning of the cool bridge (a less hot summer) and the prayer (a peaceful summer). Each time the pilgrims visit the ancient cultural heritage in Duong Lam, if once visiting this unique ancient temple is also told by the elderly in the village to listen to a few other attractive anecdotes. Although simple and small relics, but the valuable cultural property of the villagers, has been built, preserved by generations of people, experiencing historical and heritage stages that still exist in the field with the color of ancient mossy moss, that heritage has witnessed so many changes in the life and people of the traditional and cultural village.
Hanoi 894 view
Ha Thai Communal House
The architectural and artistic relic of Ha Thai communal house, Duyen Thai commune, Thuong Tin district, Hanoi is one of 15 monuments in the country ranked as a national monument by the Ministry of Culture, Sports and Tourism in the first phase of 2017. . The Ministry of Culture, Sports and Tourism has just issued decision No. 824/QD- BVHTTDL recognizing the architectural and artistic relic of Ha Thai communal house, Duyen Hai commune, Thuong Tin, Hanoi as a national monument. Ha Thai communal house, Duyen Thai commune, Thuong Tin district has bold architectural features of the Northern Delta with banyan trees, water wharf, and communal house yard. This is the place to worship the two village tutelary gods, the military mandarin of Le Bui Si Luong's reign and Mrs. Dinh Thi Trach (also known as Mrs. Lay) who sacrificed her life to let the villagers escape the disaster to pay tribute. The genealogy records that: previously this land was desolate, overgrown with trees and sparsely populated. At that time, there was a ferocious tiger in the forest, called the wolf tiger by the villagers, who often came to capture people and livestock to eat. Unable to capture this mature tiger, the villagers had to pay tribute to the tiger every year on November 10. In the village, there was Mrs. Lay, a woman without a husband or children. Understanding the pain and loss of the villagers, she voluntarily offered herself to the tiger with the hope that this tribute would stop. Her prayer before heaven and earth seemed sacred and fulfilled, because since November 10 of that year when the tiger came to pounce on Ms. Oi and took her away, people have no longer seen the tiger return to harass her. To commemorate her merits, the people built a shrine. She was later honored as the village's tutelary god and that shrine became Ha Thai village communal house and took November 10 every year as the traditional village festival. Ha Thai village communal house is also related to the military mandarin during the reign of Le Bui Si Luong (1544-1597), he held the position of Grand Master and Commander of the Palace. As a man of excellent literary and military intelligence, he had great contributions in defending Le and destroying Mac. When he came to Ha Thai, realizing that this land had the power of dragons worshiping tigers, he chose Ha Thai to establish a family home and teach people to start a business, so after his death, he was also honored as the village's Tutelary God. Ha Thai village festival takes place from the 9th to the 11th of the 11th lunar month every year and attracts a large number of tourists from all over. Source Hanoi Department of Culture and Sports.
Hanoi 3585 view
LOWER DINH, UPPER DINH THUONG
Lower communal house and Upper communal house belong to Tu Nhien commune, Thuong Tin district, Hanoi city. According to legend, the remaining divine genealogies and ordinations, the two communal houses worship Chu Dong Tu (one of the four immortals of the Vietnamese people) and his two wives, Princess Tien Dung and Hong Van. After Princess Tien Dung married Chu Dong Tu, the two learned magic to cure diseases and save people, and together with the villagers, renovated and expanded the land, planted crops, and raised livestock to establish a prosperous village. When King Hung heard the news, he was angry and ordered his soldiers to take him back to the court to punish him. Knowing that news, Chu Dong Tu and Tien Dung magically flew back to heaven, carrying with them Hong Van of Tu Nhien land. The people were grateful and built a temple. The Upper Communal House and the Lower Communal House are two parallel architectural works, with similar dates, built in the Later Le Dynasty; embellished and renovated to make the Harem Palace at the end of the Nguyen Dynasty. The difference is that the Thuong Dai Pagoda does not have the legend "Mother Dragon" but has the legend "Doc Dragon". The Upper Communal House has 69 ordinations, 3 more than the Lower Communal House. Tu Nhien village's festival takes place on the 1st day of the 4th month (lunar calendar). On this day, the villagers organize a Long Ngu procession including 07 palanquins of three communal houses: Upper communal house, Lower communal house, Thuy tribe communal house to recreate the love story thousands of years ago of Chu Dong Tu and Tien Dung. Both communal houses are ranked as national relics: Ha Communal House was ranked in 1988, Thuong Communal House was ranked in 2002. Source Electronic information portal of Thuong Tin district, Hanoi city.
Hanoi 3122 view
Relics of communal houses, temples, and Dao Xa pagoda.
Coming to Dao Xa village, Thang Loi commune, Thuong Tin district, visitors will admire the ancient and unique features of the cluster of communal house and pagoda relics with sophisticated and unique features in architecture, and be immersed in Green, clean, beautiful space of a peaceful village with talented, friendly, hospitable people... Thang Loi commune, Thuong Tin district, is famous for Dao Xa embroidery village with products of sophisticated artistic quality. This place is also a destination for many tourists from near and far because of a unique architectural complex including the East communal house, the Western communal house, and Dao Xa pagoda. All three of these relics were ranked national historical and cultural relics by the Ministry of Culture, Sports and Tourism in 2000. Dao Xa possesses a special feature that few other localities have: in one village there are two communal houses adjacent to each other. The two communal houses are distinguished by their rustic and rustic names: Eastern communal house and Western communal house. Tay Dao Xa Communal House was originally a temple to worship Chu Dong Tu (one of the Four Immortals of the Vietnamese people) and Princess Tien Dung. Legend has it that Chu Dong Tu and Tien Dung once passed by Dao Xa village and saw the charming scenery and stopped to rest. To commemorate the Saint and the Princess, people built a temple. The temple was built during the early Chinh Hoa period (1680-1705), the reign of King Le Hy Tong, and has architecture in the style of the word "two". Later, the temple became a village communal house. In front of the Western communal house, there is a pair of stone crocodiles - popular mascots of the Ly - Tran dynasties, still intact. The great pavilion has 5 steps, the roof is covered with fish-scale tiles, the top is embossed with the image of two dragons painting pearls, and there are roofs on both sides. The distance between the main altar and the upper hall is about 1m, on both sides the gate is decorated with an open holy mat. On both sides of the great altar wall are two sunken stone steles recording the restoration event of the communal house. The great altar has two great Chinese characters: "Nac Doc Chung Linh" and "Higher Class Spiritual Words" praising the merits of Saint Chu Dong Tu. The system of wooden pillars is placed on stone pedestals, the seven heads are carved with exquisite dragon shapes and the mascots are carved separately on the beam system. Dong Dao Xa Communal House was formerly Palm Leaf Temple, built in the early 20th century in a "tam"-shaped continuous architectural style. The three folds of the house gradually increase from the outside to the inside. The altar house has 4 rows of wooden pillars placed on stone pillars in a collared style. On the left is a stone dog lying with its head facing out. The temple worships the father of embroidery, Le Cong Hanh (1606-1661), originally from Quat Dong village (now Quat Dong commune, Thuong Tin district). Thanks to its great spiritual value, the temple was converted into a communal house and called the Eastern communal house to distinguish it from the Western communal house worshiping Chu Dong Tu - Tien Dung. The Eastern communal house is smaller in scale than the Western communal house. Dong Dao Xa communal house is where the death anniversary of embroidery master Le Cong Hanh is held on June 12 (lunar calendar) every year. Located between the two communal houses is Dao Xa pagoda (Van La pagoda), small in scale, with 36 statues arranged in layers from the altar to the upper palace. In front of the pagoda's yard, there is an incense tree carved with Chinese characters: "Vinh Khanh, the year of the year at At Dau, five moons, five moons and five moons" (built in 1729, during the reign of King Le Duy Phuong). Dao Xa is one of the few villages that still retains the spiritual architecture of the communal house - temple - pagoda and the system of courtyards, gates, ponds and ancient trees. The three gates are the common gate for the entire complex and are sculpted in detail. Over time, the three gates have acquired an ancient and majestic beauty. Each gate has 2 floors, a bell tower, and a reception floor. The main gate has 4 Chinese characters inscribed on it "Nhat edict, moonlight forest", facing southwest, 15m high, in front of it is a large yard creating a majestic and majestic look when viewed from afar. Dao Xa village festival is held on February 12 (lunar calendar). Every 5 years, there is a ceremony to bathe Thanh Chu Dong Tu and Princess Tien Dung with water taken from Da Trach lagoon (Hung Yen province). With great historical values, in 2000, the Eastern communal house, Western communal house and Dao Xa pagoda were ranked national historical and cultural relics by the Ministry of Culture, Sports and Tourism. In 2009, Dao Xa village was recognized by the Hanoi People's Committee as a Traditional Craft Village. Dao Xa is chosen by many tourists from near and far as a destination in their spiritual cultural tourism journey. Coming to Dao Xa, visitors will admire the ancient and unique features of the temple relic cluster with sophisticated and unique features in architecture, and be immersed in the green, clean and beautiful space of the village. still retains the characteristics of the Northern Delta countryside. Not only that, if you have time, visitors will have more wonderful experiences at Dao Xa embroidery village to understand more about this land and people. Source Hanoi Department of Culture and Sports.
Hanoi 3610 view
Ha Hoi Communal House
Ha Hoi is a commune in the northeast of Thuong Tin district. Before the August Revolution of 1945, Ha Hoi commune belonged to Ha Hoi district, Thuong Tin district, Ha Dong province. When talking about Ha Hoi commune, we must mention the ancient communal house located in the center of the commune - Ha Hoi communal house, which is one of 6 ancient communal houses in the Northern Delta that still exists today. The communal house was built more than 400 years ago during the Le Dynasty, 16th century. According to archaeologists, the communal house was built in 1578, during the reign of Mac Mau Hop, to worship Saint Cao Son, the village's tutelary god. Due to his many contributions to the people and the country, Mr. Cao Son Dai Vuong was conferred 24 titles by dynasties that are still kept today, the highest of which is Supreme Rank Most Holy Spirit. Through history, the communal house has gone through many dynasties, ups and downs of time and war, the communal house has been renovated many times, but still retains the quintessential artistic and architectural values of the artisans. old. Ha Hoi Communal House was built in a Tam-shaped layout, facing South and East, with a fairly large water pavilion in front. The great communal house consists of 3 large items, located parallel and adjacent, including: the Great Court, the Central Palace and the Harem. The communal house's roof is designed in the shape of a boat with tiled bows, the rafters are designed in a bed-stacking system, creating a solid appearance for the communal house. The floor is paved with monolithic stones, creating a cool space. The communal house still retains and preserves the architectural carvings and artistic sculptures, shown in the statues such as: Four sacred animals (Dragon, unicorn, tortoise, phoenix), mouse looking at the head of the lotus leaf, the remaining heads, The dragon-carved trap head is extremely soft and sophisticated. The Chinese-Vietnamese transliteration of the horizontal panel in the Central Palace is: "Protect the country for the people" (translation: Help the country, protect all people). Next to it are a couple of parallel sentences. Sino-Vietnamese transliteration is as follows: “Nai Van Nai Vu, the gods of the sea protect the people, The most outstanding and the most spiritual, the holy virtue always remains in the country." Translation: "As literature and martial arts, my merits are like underground lakes and oceans that help people stay peaceful, Outstanding and majestic, the saint's virtues are passed down to maintain the peaceful fortunes of the country." Outside the Dai Bai pavilion, there is a horizontal panel in the middle with four words inscribed on it: "Son anh ha tu" (Temporarily translated as: Mountains and rivers of heroic spirits). In addition, the communal house also preserves many parallel sentences, horizontal panels, hammock doors... and architectural items in the traditional Northern style, especially two Siamese stone Buddha statues right in front of the Harem gate. Outside the yard, in front of the grand altar, on both gables there are two stone dog statues, in the middle there are two stone pedestals carved with delicate and meticulous dragons made of Lam Son stone (Thanh Hoa). The two rows of houses on both sides (left desert - right desert) are slightly set back from the main palace. Looking from the outside at the gate of Ha Hoi communal house, there are up to 5 doors, also known as (five gates), different from other communal houses, the gate is designed in an arc shape, embracing the communal house, with three doors in the middle. It has the appearance of a three-door gate, the main door is up to 15m high, the lower floor is built into square blocks, the door is in the form of a dome, the roof is in the style of a stack of matches and covered with ri tiles. The two sides of the side door are built smaller, one-story style, connected to the wall running around the area leading to the Ta Mac - Huu Mac house. Past the Five Gates connecting to the narrow yard across the water pavilion is a brick bridge with 5 spans, the bridge wall is decorated with turquoise glazed tiles. It can be said that Ha Hoi Communal House is an architectural work of art, the entire space is a synthesis of knowledge, it carries the soul of national architecture, containing within itself a whole cultural and historical system. With its artistic and historical values, Ha Hoi Communal House is like a historical treasure that ancestors left behind for posterity. On December 23, 1985, Ha Hoi Communal House was recognized by the Ministry of Culture and Information as a National Historical and Cultural Relic. Source Electronic information portal of Thuong Tin district, Hanoi city.
Hanoi 3363 view
General La Phu Communal House
Tong La Phu communal house is the communal house of four people: La Uyen, Phuc Trai, Tho Ngai, Mai Hong (Tan Minh commune) and Mai Sao (Nguyen Trai commune), La Phu canton, Thuong Phuc district in the past (now belongs to Tan Minh commune, Thuong Tin district, Hanoi), built nearly five centuries ago. The communal house is still called by its general name, La Phu communal house. The communal house is located on a piece of land near La Uyen village, in front of the communal house is the Nhue Giang river, an important waterway of the country, connecting the capital Thang Long to the former Son Nam Thuong region. This is also one of the few oldest general communal houses not only in Hanoi, but in the entire Northern Delta region. According to the jade genealogy book and folk historical documents, the three deities in La communal house are the great king Minh Lang, the great king An Lang and the great king Xa Than. The three great kings are heroes who have contributed to the people and the country, and are honored by the people. The Great King Minh Lang is General Nguyen Phuc, a former god of the post-Le Dynasty. He was originally from Doan Tung commune, Truong Tan district of Dong (now Hai Duong), passed the Doctor of Hoang Giap faculty of Quy Dau, in the 11th year of Thai Hoa (1453) under the reign of Le Nhan Tong. During his life as a mandarin, he held the position of Academician, concurrently the position of Deputy Thai, and teacher of Le Thanh Tong when he was young. When King Le Thanh Tong went to fight the Champa invaders, he sent Nguyen Phuc to command the transportation of military provisions. During the sea transport, there was a storm and the military supplies arrived one day late, so they were punished by death according to military law. Because he had military provisions, the king defeated the Champa army. When he returned to discuss the reward, King Le Thanh Tong vindicated Nguyen Phuc and bestowed upon him the title Minh Lang Dai Vuong, protector of the country and people, protector of the country, and at the same time, decreed 72 places of worship. Originally, the temple had a Dai Bai house, an artistic architectural work built during the Mac Dynasty, with a rectangular floor plan of 24m30m long, 9m30 wide, 1m30 wide porch, four wide, low spreading communal roofs. The boats' four-sided roofs run in the shape of the boat's sides, intersecting to create curved corners that glide up into the sky. Wooden knife carved with flower petals. The edge of the roof, the edge of the communal house's roof are covered with nails. The roof leaves of the communal house are layered with funny-nosed tiles. During the Nguyen Dynasty, King Bao Dai 11 (1936) built a 3-room harem with a house in the back located parallel to the Dai Bai. In 1948, the French invaders burned down the harem, and when peace unified the country, the people contributed to rebuilding it. In particular, about the sculptural art of the Le - Mac dynasties on the architecture of two sets of nave, the back of which borders the harem, a set of pillars with an artistic sculpture cast engraved with a dragon creating an oval shape. The dragon is shaped like a saddle, with its head in the middle of its body, revealing bulging eyes, a round nose, a flared mouth, and bat ears. From the dragon's head, thin rays of spears emanate from both sides. This is a quite vivid piece of wood sculpture art of the Mac Dynasty. On the second porch, behind the harem, the Mac dynasty dragon is engraved on the dome, on the head of the rampart and on the porch. The dragon here has a saddle-shaped body with big ears, bulging eyes, and a quill tail. The dragon's face in the middle is placed on the back of the saddle, with a wide mouth, flat nose and raised forehead. What remains at La Phu communal house, although not much, has contributed to providing material for art research. During the Mac Dynasty, it was one of the five communal houses bearing the mark of the oldest communal house. Behind is the harem, a 3-compartment house located behind and running parallel to the Dai Bai, built with gabled walls, two flowing roofs, tiled roofs with nail-shaped roofs, rectangular pinnacles, wooden architecture. The rafters are made in the form of hitching a bridge truss and have a domed ceiling system of a crab roof. Currently, La communal house still preserves many rare artifacts such as genealogies, 38 ordinations, the earliest ordination of King Le Vinh Thinh (1705); a palanquin with a tribute bowl carved with a dragon's head, a pearl in its mouth, a big round nose, and a mane of netted hair flying back in the Le Dynasty's art style; 5 wooden boards carved with dragon and horse saddles of the Mac Dynasty; 2 sculptural stone turtles of the Le Dynasty; 3 sets of parallel sentences; 3 thrones carved with different dragon heads from the Nguyen Dynasty... Every year, La communal house opens two festivals, spring and autumn two times. The main festival is on the 12th day of the 8th lunar month. The annual festival still takes place normally, but the main festival is only held once every 2 years and on three days, the 11th, 12th, and 13th of the 8th lunar month. With historical, cultural, architectural and artistic values, La communal house was recognized by the Ministry of Culture, Sports and Tourism as a National Monument in 2003. Source Electronic information portal of Thuong Tin district, Hanoi city.
Hanoi 3215 view
