Relic point Vietnam
Việt Nam
Du Hang Pagoda
Du Hang Pagoda (literally called Phuc Lam Tu), belongs to Du Hang Kenh commune (An Duong district), now belongs to Ho Nam ward, Le Chan district. If based on the inscription records of Du Hang Pagoda, the pagoda originated from the Early Le Dynasty (980-1009). At the end of King Le Dai Hanh's reign, a monk came here to preach and enlighten Buddhist teachings. During the Tran dynasty (1225-1400), the monks of the Truc Lam sect founded by Tran Nhan Tong in Yen Tu Son had a relationship with Du Hang pagoda. Therefore, from ancient times until now, Du Hang Pagoda still has the tradition of celebrating the birthday of the first monk, "Dua Giac Hoang Tinh Hiep Zen Master Temple", King Tran Nhan Tong, on the 2nd day of the 11th lunar month. The third patriarch of the Truc Lam sect was Zen master Huyen Quang Ly Dao Lai on the 3rd day of the 11th lunar month. During the reign of King Le Gia Tong (1672), monk Nguyen Dinh Sach (self-named Chan Huyen) had money to buy land, build a large pagoda, complete with bell towers, ancestral temples, monks' houses... From From then on, despite having to go through many historical ups and downs, the pagoda was joined by generations of local monks, monks, nuns, and Buddhists to repair the pagoda to make it more spacious and beautiful. Compared to many Buddhist temples in Hai Phong, Du Hang Pagoda has a majestic architecture, a complete campus, including a 7-compartment Buddha hall, a 3-storey bell tower, a soaring peacock roof, a large bronze bell, and inscriptions. : “Phuc Lam tu chung”, meaning bell of Phuc Lam pagoda. At the Buddha hall, there are still many valuable ancient Buddha statues with precise shapes such as the Three Worlds, the Nine Dragons - Newborn Sakyamuni, the guardian of good, the evil, and the "Minh Vuong Buddha Palace" statues. ...the interior of the Buddha's Palace is decorated with many horizontal panels, parallel sentences, and bright gold-painted hammock doors, soft lines, sophisticated techniques, expressed through the themes of flowers, leaves, and grass. trees, animals, artistic style of the Nguyen Dynasty in the late 19th and early 20th centuries. The front hall of the Buddha's palace is decorated with many embossed carvings on the hammock doors, many with familiar themes: apricot blossoms. Birds, five blessings, cloud dragons...represent the wishes of all people for "good rain, peaceful winds, lush grass and trees", the wood-carved box depicts the scene of Tang monks and disciples on the way to Tay Truc to request sutras. Currently, Du Hang Pagoda still preserves many precious relics such as bells, gongs, copper tops, artistic decorations made of ceramics, blue stones, and the ancient "A Ham" scriptures passed down from many generations of monks. maintain. In the quiet tower garden, shaded by ancient green trees, in addition to the group of tower tombs of the monks who passed away at the pagoda, there are also tower tombs containing the relics of the ancestors of the Truc Lam Yen Tu Zen sect, and a tower of monks. Chan Huyen and many monks once lived at Du Hang Pagoda. In 1926, an important event took place at the pagoda, associated with the patriotic movement for civil rights and democracy of monks, nuns, Buddhists, and a large number of students, teachers, and workers. dynamic. They gathered at Du Hang Pagoda for a memorial service for patriot Phan Chu Trinh, when the whole country learned that he had passed away in Saigon. After the August Revolution (1945), the Hai Phong Sangha Association for National Salvation held a housewarming ceremony at the pagoda, the venue for the "Golden Week", and at the same time, revolutionary mass organizations met to discuss welcoming President Ho. Chi Minh on the way back to Vietnam from Phat, visiting compatriots and soldiers in Hai Phong. During 9 years of resistance, Du Hang pagoda opened its doors to meditate and raise troops. There were many monks at the temple who enthusiastically joined the army to save the country, notably the late monk Dinh Quang Lac who was awarded the Third Class Resistance Medal by the Government. Du Hang Pagoda was ranked as a historical and cultural relic by the state in 1986. Source: Department of Culture and Sports of Hai Phong City
Hai Phong 3468 view
Vinh Khe Communal House
Vinh Khe communal house is located in Vinh Khe village, An Dong commune, An Duong district, suburban Hai Phong. Vinh Khe Communal House has a Cong-shaped layout including: 5 altars, 2 bridge rooms, 3 harem rooms. The main face of the communal house faces south, where the Lach Tray river meanders through the territory of Kien An and An Lao. The communal house worships the three blessed gods, Vu Giao, Vu Trong (two brothers born in the land of Vinh Khe) and Pham Tu Nghi, who have contributed to the people and the country, and were awarded beautiful titles by feudal dynasties. to honor their intelligence, strategy, courage, and bravery. Visiting Vinh Khe Communal House, the things that remain in the minds of visitors who have the opportunity to admire its beauty for the first time are the wooden frame whose architecture is entirely of four-iron wood, rich in color over time. The decorations and carvings here are not as many and dense as the Hang Kenh Communal House and the Du Hang Communal House, but the familiar themes are expressed quite creatively and flexibly by the artisans in the countryside in the set of four sacred animals: Dragon, Ly. , Quy, Phuong; and fragrant flowers and strange fruits, containing many desires for a peaceful life in the village. The rendering artists also successfully showed off themes with typical features of the river region: rolling water waves, next to the majestic shadows of pine and cypress trees. It can be said that folk carvings on wood along with many relics made of stone, metal, wooden sacrificial objects covered with lacquer and silver... have created the grandeur of the communal house today. Vinh Khe Communal Festival opens every year on the 7th of the first lunar month, commemorating the birth anniversary of two tutelary gods named Vu. The village festival is associated with the wrestling competition, which only lasts one day but also attracts many wrestlers from many famous wrestling studios in Vinh Bao and Tien Lang to compete. One detail that needs to be clarified is why Vinh Khe Communal House worshiped Pham Tu Nghi, a famous general of the Mac Dynasty who was from Vinh Niem (An Duong). Because he once passed through Vinh village and met him at a festival, he asked to attend and won a high prize, after he lost the villagers who worshiped him. According to the elders, the Vinh Khe village festival in the past was very crowded, because in addition to the procession of the tutelary god, there were also wrestling and boating competitions on the river flowing from the Sai River (Lai Vu - Hai Duong) through Re district town all the way to the bridge. An Duong now. Vinh Khe Communal House was ranked as a historical and cultural relic by the State in 1991. Source: Department of Culture and Sports of Hai Phong City
Hai Phong 3572 view
Hai Chau Communal House
Hai Chau communal house is considered one of the tourist destinations in Da Nang that is visited by many domestic and foreign tourists every year. Hai Chau communal house is considered the oldest communal house in the coastal city of Da Nang. This relic was officially recognized by the state in 2001. Hai Chau communal house was formerly known as Phuoc Hai pagoda. This is where Lord Nguyen Phuc Chu in the year of the Pig (1719) entered Quang Nam, stopped and stayed here. Hai Chau villagers then built an altar to King Nguyen Phuc Chu here. Hai Chau communal house is located right in the center of Da Nang city on the left bank of the Han River (alley 48 Phan Chau Trinh street, Hai Chau 1 ward, Hai Chau district). According to the genealogy of the Nguyen Van family, one of the 43 clans of Hai Chau village, the ancestors who pioneered and the later generations who cultivated Hai Chau village originated from Hai Chau village, Tinh Gia district, Thanh Hoa province. In the process of following King Le Thanh Tong to explore the land, they established Hai Chau village and settled in this land at the end of the 15th century. Records of the elders show that, in the 5th year of Gia Long (1804), Hai Chau village officials asked King Gia Long to build a communal house to worship the village's Thanh Hoang and the village's predecessors and successors on the land. Nghia Loi on the banks of the Han River. By 1858, the communal house was severely damaged due to the war of invasion by the French colonialists. Two years later, people rebuilt the communal house at the land that is now Da Nang University of Medical Technology and Pharmacy (99 Hung Vuong Street). In 1903, the French occupied the communal house and used it as a place to treat patients during the smallpox epidemic. A year later, the communal house was returned following the villagers' request. However, the people of Hai Chau thought that the village was seriously polluted, so they made a petition to King Thanh Thai asking for permission to rebuild the communal house at the current location (group 3, Hai Chau 1 ward, Hai Chau district). and exists to this day. Hai Chau communal house is one of the national historical and cultural relics in Da Nang, one of the Da Nang attractions that leaves many impressions in the hearts of tourists who come here. The main gate of this village communal house still retains the four words "Hai Chau Chinh Xa", written entirely in Chinese characters. Hai Chau communal house is an architectural complex, located in a campus of up to 3,500 square meters, including: Hai Chau communal house, Tien Hien church, Chu sect church and Ba temple. In front of the village communal house is a small lake with shady rockery and a sapling tree that is hundreds of years old. The church on the left is the church of the Nguyen Van family, the church on the right is a common church including 42 tablets of 42 clans, these 42 clans all come from Thanh Hoa, following King Le Thanh Tong to the South. from the year of the New Mao (1471). King Le Thanh Tong established Han Giang hamlet (now Da Nang) and those clans lived together to become Hai Chau village, which was ordained by the Nguyen Dynasty as "Chinh Commune". Inside the communal house, people keep many lacquered horizontal panels, parallel sentences, and gilded parallel tureens written entirely in Chinese characters and dating back hundreds of years. Among them, there are 9 horizontal panels and 2 pairs of opposing tureens made of wood, all beautifully carved and of high artistic value. On the bell tower of Hai Chau village communal house, there is a bell cast in bronze, on the body of the bell there are sentences and poems written in Chinese characters. These sentences and poems record the heroic historical milestones of the communal house. The general meaning of these words is as follows: In the 5th year of Minh Mang (1842), the pagoda was restored. In 1825, the king issued a decree for the pagoda, naming the pagoda "Phuoc Hai Pagoda", in the 13th year of Minh Mang (1832). ) On auspicious days, Hai Chau Chanh Dong commune created this bell. Source: Da Nang Electronic Newspaper
Da Nang 5838 view
Dai Nam communal house
Dai Nam communal house (local people call it Nai Nam) is a typical cultural and historical relic of Da Nang city. For those who love discovering ancient cultural values, this is a destination not to be missed when coming to the "worth-living city". Dai Nam communal house - a communal house more than 100 years old, associated with many important historical stories and events of the nation. The communal house was built in 1905. In 1999, Dai Nam communal house in Da Nang was recognized as a national monument. The address of this relic is located in Hoa Cuong ward (now Hoa Cuong Bac ward), Hai Chau district, Da Nang city. In 1946, Nai Nam communal house was located in Hoa Binh village (in Nai Nam commune). At that time, Hoa Binh village was the residence of people from Hoa Son and Khue Trung. In 1949, Hoa Binh village merged into Da Nang city and was renamed the South area under this city (separated from Hoa Vang district). The South area includes Nai Nam, Hoa Binh, Khue Trung villages and part of Lien Tri commune. The communal house faces Southeast, built entirely of bricks, tiles and wood, with a roof covered with yin and yang tiles. The communal house has a large yard and surrounding walls. The communal house gate has four square pillars, each pillar is about 5m high. The two central pillars create the main entrance to the communal house, on the top of the pillars are molded two unicorns, the left and right pillars are attached to the wall, the top of the pillars is shaped like a lotus bud. On the middle pillars are pairs of parallel sentences made of porcelain. During the fierce resistance war against the French and the Americans, Dai Nam Communal House in Da Nang was one of the bases and locations of the revolution. The communal house became a base for secret operations. During the period 1960-1965, the communal house was a communication station, communicating in and out of the city. Many important historical events took place here such as the admission ceremony of Party members, the deployment of military and political forces at various times from 1850 - 1975. According to history, many heroes , soldiers lived, fought hard, and died at this location. Source: Da Nang website
Da Nang 6115 view
Thuy Tu Temple
Thuy Tu Temple belongs to Thuy Tu village, formerly known as Ngoc Phuong village, Thuy Duong commune, Thuy Nguyen district, Hai Phong city. Thuy Tu Temple and other relics of Thuy Duong such as: Thuong communal house, Ha communal house, Luong Duong temple, Chim Phuong communal house (Hoa Binh commune) form a cluster of historical relics to remember the achievements of the four sons of the Pham family. Participated in fighting the Tong invaders in the 10th century (981) under the leadership of Le Dai Hanh. At that time, Thuy Duong commune had a family named Pham, who had four children. They are Pham Quang, Pham Nghiem, Pham Huan, and Pham Thi Cuc Nuong. They are two pairs of twins. When Mr. Quang and Mr. Nghiem were 18 years old; Mr. Huan and his 15-year-old sister Cuc Nuong lost both their parents. The four Pham brothers buried their parents in Ma Thuyen field, east of the site. When the Song army followed the Bach Dang River to invade our country, the king sent troops to defeat the enemy. The imperial army arrived at a high mound in Thuy Duong district and was warmly welcomed by the villagers. Especially the old people in the village told the king that there were 4 brothers and sisters of the Pham family who were all respectful and talented in martial arts. The king called all four Pham brothers to fight the enemy. Obeying the king's command, all four brothers happily paid homage to their ancestors and parents and then came to pay their respects to the king. Seeing that all four Pham brothers had unusual appearances and were good at martial arts, the king was happy, gave them titles and sent them to fight the enemy. After the victory, the four Pham brothers were all awarded titles and asked the king to let them visit their parents' and ancestors' graves and reward officers and villagers. The four invited the elders to the party and gave 300 denarii in money to show their gratitude. After the four Pham brothers died, the people of the villages built temples. Ngoc Phuong site (now Thuy Tu village, Thuy Duong commune) worships his eldest brother Pham Quang, Chiem Phuong site worships Pham Nguyen, Truong Son site worships Pham Huan and Cuc Nuong. The people of 3 pages all organize traditional festivals every year from the 9th to the 12th of the third lunar month. Thuy Tu Temple was ranked by the state as a historical and cultural relic in 1991. Source: Department of Culture and Sports of Hai Phong City
Hai Phong 5214 view
TEMPLE OF FEMALE GENERAL LE CHAN - ELEPHANT MOUNTAIN RELIC AREA
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong 6603 view
Lang Suong Temple
Lang Suong Temple is located in the system of relics worshiping Tan Vien Son Thanh along the Da River and the Northern Midlands Delta. The temple dates back to the reign of Thuc An Duong Vuong. During the Le dynasty, it was restored (981-1009), and under the Nguyen dynasty, in the 7th year of Thieu Tri (June 19, 1847), there was a major renovation. The temple is located in Trung Nghia commune, Thanh Thuy, Phu Tho. Tan Vien Son Thanh is known as the head deity of the "four immortals" of traditional Vietnamese beliefs. With respect and admiration, the people worshiped Tan Vien as the "Most Highly Spiritual" deity, "First blessed god" in Vietnamese traditional beliefs. Lang Suong Temple is proud to be the land where Saint Tan was born. This can be considered the land where the representative deity of Vietnamese folk beliefs is buried. Along with the belief in worshiping Saint Tan, Lang Suong Temple also worships Saint Mother - the person who is credited with giving birth to Saint Tan. The belief in Mother Goddess worship here has merged with the common belief in Mother Goddess worship of Vietnamese people such as Mother Au Co, Mother Earth, Mother Water... Lang Suong Temple has quite a large area and has architecture with many ancient and profound features. Experiencing rain, sun and fighting, the temple was much damaged. In 1991, the local government and people renovated Lang Suong Temple on a large area of land with an area of 3,000 square meters, including the following works: Temple gate, Hai Co temple, Thien Thanh well, stele house, hammock house, Left desert, right desert temple and Holy Mother's mausoleum. This is the only temple in Vietnam that worships the entire family of Saint Tan and is also the original place of worship in the system of relics worshiping Tan Vien Son in Vietnam. Truong Sa Beach - Trung Do where Lac Long Quan and Au Co met and became husband and wife - giving birth to Lac's children, Dragon's children - Origin of the Vietnamese people. With its profound historical and spiritual cultural values, Lang Suong Temple was recognized and ranked as a national historical relic by the Ministry of Culture and Information on July 12, 2005. Source: Phu Tho Tourism Promotion Information Center
Phu Tho 4164 view
Lau Thuong communal house
Lau Thuong Communal House was built in the Dinh style, including a 5-compartment, 2-room worship hall and a 3-compartment harem, with a length of 28m and a width of 22m in the Southeast direction. The entire communal house has 60 large columns with a diameter of 0.75m linked with horizontal and vertical beams to form a frame with a sturdy structure in the shape of four boat valley pillars. The harem has a unique structure and is exquisitely carved. On the upper beam are two dragons flanking the moon with a tight layout, a harmonious combination of dragon-shaped lines and shapes intertwined with clouds, carved in the style of the Nguyen Dynasty. Below are two elaborately carved residual ends. The entire middle space of the harem is reserved for worship. The main structure of the altar is covered with four roof pillars, outside is a delicately carved door painted in red and gilded gold. Outside the forbidden door on the altar there is also a statue of Hai Ba Trung, carved in a sitting position. The communal house also retains a palanquin with bowls and bowls of tribute, painted and gilded with intricate carvings in the style of the post-Le period. Lau Thuong Communal House currently preserves a number of valuable artifacts such as 4 thrones and gilded tablets crafted during the Nguyen Dynasty, placed in the main altar. Besides, many classic stories such as: "Teaching Mister", "Double Phoenix Ham Thu", "Two Dragons Adoring the Moon", "Dragons Gathering", "Mother Dragon Trains Her Child"... are depicted in paintings. Elaborate carvings on architectural structures. Each carving is a unique work, vividly expressing the simple, liberal beauty, talent, ingenuity, creativity and aesthetics of our ancestors in the past. Lau Thuong village festival takes place on January 9 every year to perform worship rituals and participate in folk cultural and sports activities. Before the main festival, many sports and physical exchange activities between residential areas in the commune took place. On January 9, people organized a palanquin procession from the Ngoai Communal House to the Noi Communal House to celebrate, Then the procession took the palanquin to the front of Dinh Ngoai's temple and continued the ceremony. The annual festival of Lau Thuong village has great significance in connecting the community and educating the nation's patriotic traditions. With precious cultural and artistic values, Lau Thuong communal house was recognized and ranked as a national historical and cultural relic on February 21, 1975. Now when coming to Viet Tri city, tourists in addition to worshiping the Hung King temples on Nghia Linh mountain, visiting Hung Lo ancient communal house to listen to Xoan singing, sightseeing at Thien Co Temple... can also visit Lau Thuong communal house, Feel the ancient and quiet features of this precious architectural sculpture, calm your heart after a busy life to better understand and appreciate the cultural and historical values left by your ancestors. Source: Phu Tho Tourism Promotion Information Center
Phu Tho 3931 view
Hung Lo Communal House
Located in the ancient village of Hung Lo with a date of more than 300 years old, Hung Lo communal house has long entered the consciousness of Vietnamese people with customs and practices associated with the belief of worshiping Hung King. Hung Lo ancient village (Hung Lo commune, Phu Tho province) is located on the banks of the romantic Lo River, about 5km from the center of Viet Tri City. Hung Lo Communal House's historical and cultural relic complex was built on a land area of 5,000 square meters. Legend has it that in the reign of Le Hy Tong (1967), people here built a temple to worship the 18th Hung King, facing Nghia Linh mountain, where the Hung King's capital was located. Hung Lo Ancient Communal House is a complex of historical and cultural relics built on a large strip of land, including many construction items such as: Dai Dinh, Phuong Dinh, Bell Lau, Drum Lau, Sacrifice House... All are Built with rare types of wood such as nails, ironwood, bamboo, etc. The Great Court is structured according to the traditional architecture of three compartments, two wings; All three rooms have altars. The altar rooms are built according to the structure of five compartments and two wings. On both sides of the communal house are the Buddhist temple and the Shen Nong altar. The communal house's yard is spaciously decorated with rockery, sycamore trees, and shady banyan trees. This place also preserves a system of worship objects to serve the most complete worship rituals; In particular, the system of ancient couplets is very rich with 43 couplets praising the scenery of the homeland and the merits of King Hung. Most of the ancient worship objects are over 300 years old, typically 5 red-painted palanquins and gilded palanquins and festive symbols. Another notable feature, Hung Lo communal house is very famous for its tradition of the Hung Temple palanquin festival from ancient times to present. In the year of Mau Ngo (1918), Hung Lo communal house was awarded the "First Hung King Commemoration"; Currently, this reward sign is still solemnly kept in the communal house. On the occasion of the annual Hung Temple festival, coming to Hung Lo communal house, visitors will be immersed in a grand palanquin procession of over 200 men, wherever they go, it stirs up the whole region. The procession will go from the village communal house to Hung Temple; Returning from Hung Temple, the offerings at the village communal house were conducted, and finally the ceremony was held at Elder Yen's house. Source: Phu Tho Tourism Promotion Information Center
Phu Tho 4222 view
Song Lo victory monument
Song Lo Victory Monument is located on Don Mountain in Chi Dam commune, Doan Hung district. At the foot of the mountain, the Lo and Chay rivers merge here, creating a charming terrain and rich land. Standing in the monument area, looking far away, you will see the vast green river, close to the roofs and hamlets. Song Lo Victory Monument was built in 1987 with a total planning area of up to 2,537 m2; includes two parts: statue and monument. On both sides of the monument are two symbols of the ship's hull and soaring waves to represent the historical image: The victorious ship carrying the combined strength of the Vietnamese people is sailing out to sea following the flow of history. The 26m high pedestal next to the 7m high statue group is made of concrete and reinforced steel, painted in imitation bronze on the outside. The Victory Monument bears the image of a fire, symbolizing the strong vitality and everlasting existence of the Lo River victory; The body of the pedestal is designed with massive angles and is covered with stones that fit tightly together. On the four surrounding sides of the memorial, there are eight ceramic reliefs depicting the victory of Song Lo and summarizing some typical features in the life of the people of Doan Hung land. Each of the above reliefs is a delicate and elaborately sculpted work of art. The group of victory statues right at the foot of the monument, the statue's face facing the clear blue Lo River includes 5 characters representing the elements and forces he used to participate in the fight to win the Song Lo victory. Each statue is depicted standing and has a different charisma; There is a statue of a soldier in a proud posture holding a gun high, wearing a guard shirt, carrying a bag of rice on his back, and wearing rubber sandals; There is a statue of a soldier holding a rifle with both hands in a ready-to-fight position; The statue in the middle is the image of an ethnic female guerrilla, her head covered with a scarf, her hand holding a stick, her eyes looking into the distance, ready to fight; There is also a statue of a soldier standing next to a cannon, raising his hat and waving, his shirt fluttering in the wind, revealing a healthy, bare chest full of vitality... The above statues vividly portray the historical figures of the people who created the Song Lo victory, carrying the breath of years of heroic fighting to pass down to posterity in a complete and authentic way. . Many years have passed, generations of people born and raised, attached to this majestic land, all carry within them a great pride every time they mention the resounding victory of their ancestors. In their eyes, the Song Lo victory monument is not only a work honoring and praising the Song Lo victory but also a testament to the resilience of their ancestors who sacrificed themselves to protect the Fatherland. Song Lo Victory Monument was recognized as a national historical and cultural relic on September 27, 1997; Source: Phu Tho Tourism Promotion Information Center
Phu Tho 4203 view
